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The invisible cost of saying yes
In the cultural sector, saying “yes” is often the starting point. Yes to an invitation, a collaboration, a project with imperfect conditions, an opportunity that may not come again. “Yes” opens doors,…
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What a dress rehearsal really reveals
The dress rehearsal occupies an ambiguous place in the artistic process. It is no longer a space for open-ended research, yet it is not a performance. It sits in an interval where…
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Working in culture is not a phase
Working in culture is not a phase. It is not an interval between two “real” jobs, nor a period of youthful experimentation that is abandoned once life demands stability. It is a…
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The moment a performance finds its rhythm
There is a moment in a creative process when something shifts into place. It is not necessarily a major decision or a visible change. Often it happens almost imperceptibly. But those following…
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Curation is not personal taste
Curation is not personal taste. It starts from criteria, context, and responsibility. Those who curate do not choose “what they like.” They select what makes sense for a program, for an audience,…
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The relationship between discourse and form
There are projects in which the discourse is strong. The intention is clear, the position is explicit, the conceptual framework is well defined. On paper, everything appears consistent. On stage, not always.…
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Artigos Recentes
- How to build a coherent programme without an unlimited budget
- What theatres still haven’t understood about social media
- What I learned from watching more than 100 performances a year (and how it changed my eye)
- How the performing arts can (and should) use digital without losing their essence
- What cultural funding juries are really looking for, and rarely find
